The trick is to make the crane sequence stall for just the right amount of time, and the secret to do that is something I will let you find out on your own -DĪ very random level and thanks to better research of how to control/predict the random events I managed to improve this level with over 10 seconds. As you can probably guess it's harder to pull that thing off than it seems. Thanks to the ultra-super-duper-quake4-raper-sequence-break-no.1 (aka the "Flyer ride") I managed to improve this level with almost 1 minute. No actual improvement was possible to achieve in this level. Perfected the strafe jumping and enemy kills to shave a couple of seconds. Now, lets see how long it takes for Raven to get a patch out with like 600 single player fixes to prevent people from destroying their precious game even more. Thanks to this decision you wont have to watch a lot of boring loading screens and saving/loading. For this run I finally decided to use the autosaves and one segment per level, and no exceptions this time. Especially when I strafe jump, which is something I didn't master in the earlier runs. My Doom 3 nightmare project gave me a lot of experience in running Doom 3 engine based games, and also to keep the precision even though I'm forced to play at 30 fps while recording. This run is not only faster than the last one because of a bunch of new tricks and shortcuts. Have at you, you invisible-wall-adding-lamers! They thought they could make this game speedrunner hostile by adding crap like invisible walls and stuff all over the levels, but they never counted with the brute force of the people at SDA. This is my last Quake 4 run on Private skill and finally I got my ultimate revenge on Raven software. With all the stuff he contributed this is more like a team effort, but I did all the running -P Thanks to InsaneB4st4rd for various tricks, strategies and shortcuts and route testing. This run was done using version 1.3, which was the latest patch when this run was started.
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DiMeglio says the new Barano is set to open at the Soho location of Kitchen United Mix, also home to Jersey Mike’s subs and Schnipper’s burgers. The Williamsburg wood-fired Italian restaurant is opening Barano 2 Go, a second location in a ghost kitchen in Manhattan, chef-owner Albert DiMeglio tells Eater. According to its Instagram bio, Hannah and Armin will open in March and comes from Dave Dreifus and Mohit Sahoo, behind the brand Best Damn Cookies. Hannah and Armin’s Delicatessen, which describes itself as “a fine-dining homage to traditional New York delis by exploration of Ashkenazi cuisine” is joining the subterranean food hall at Essex Crossing on the Lower East Side. A deli-inspired restaurant is coming to the Market Line You can come here, you don’t have to get a whole pie, you just get a slice and go back to work.” The last day for Sal’s, a slice shop in business for more than 50 years, is this Sunday, according to Brooklyn Magazine. “.Around ‘53 to ‘57 is when by-the-slice came around and we’re number three on that list. In a past interview, it claims to have been one of the original by-the-slice places from the 1950s. The decades-old Lenny’s Pizzeria of Bensonhurst held its last day of service this past weekend, and now, Sal’s Pizza Store, a staple of Carroll Gardens has announced its closure. This week has been a rough one for New York City slice shops. That’s what people are yearning for after being isolated for two years,” Look Dine-In’s chief executive, Brian Schultz, told the New York Times. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office. How we execute the concept creates an entertainment experience that’s communal. Cabot Silver Screen 8 Showtimes on IMDb: Get local movie times. “This is dine-in 2.0, because the industry has to compete with people being on the couch. Look Dine-in Midtown is set to debut this summer, joining the city’s other theater-restaurant hybrids like Nitehawk and Alamo Drafthouse. 57th Street, near 11th Avenue, formerly the home of Landmark at 57 West theater. The team signed a 15-year lease at 625 W. The national chain, which also has an outpost in Dobbs Ferry, New York, will bring its dine-cinema experience to Hell’s Kitchen, according to Commerical Observer. We also offer a wide array of cinematic viewing selections, which include Hollywood productions, handpicked selections of Independent and Foreign Films, Operas, Ballets, Concerts, Theater, Genre-Centric Film Series and more.Amidst the slew of movie theater closings, Look Dine-in Cinemas is opening its first NYC location. 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(His mother remembers him helping out his Nana, a nursery school teacher, by performing as a clown for the little ones.) Soon, he was cast in his first show, part of an international tour of Dream Girls. He got himself an agent and moved to New York City after college in 2009, with the support of his grandmother and aunt in Brooklyn. He laid into me the idea of being around like-minded people,” Hartwell recalls. “I was blessed to have a mentor, professor George Shirley, the first Black tenor to sing a leading role with the Met Opera, the oldest, wisest man ever. He went to University of Michigan for college, graduating summa cum laude, and getting more dancing, acting, and singing chops through their theater program. “I wasn’t stoked to be away from home, but to me high school felt like college, and college felt like grad school,” he says. There, he says, he learned both arts skills and maturity. Hartwell went to the University of North Carolina School of the Arts in Winston Salem for high school. “She picked him up and nurtured him,” says McNeil. Hartwell started training in theater and dance from an early age, taking advantage of the electives at Raleigh Christian Academy, but he says that Raleigh Little Theatre and the North Carolina Dance Institute “raised me artistically.” His first dance teacher, Kirstie (Tice) Spadie, was a particularly strong influence - “She’s my everything!” he says - who started preparing him for a Broadway career in elementary school. “He was very strict, he’d have them crying if they didn’t know their parts,” McNeil laughs, “but the parents would say, Hey, you said you wanted to do this! And people would come to the performances, knowing they would be amazing.” Hartwell in a Raleigh Little Theatre production of Cinderella. He’d organize cousins or neighborhood kids into plays, creating his own costumes and scripts, passing out tickets door-to-door with his little red wagon, and demanding perfection from his cast. She recalls Friday night trips to Blockbuster, where Hartwell would pick out movies starring Fred Astaire and Rodgers & Hammerstein musicals. “He’s just got it in his fiber, he was focused.” There was never a backup plan to being a performer,” she says. “There was no maybe or if, it was always when. Hartwell’s mother, Elizabeth McNeil, knew early on that her son was destined for the stage - and that he would do whatever it took to get there. I learned to read a play, to memorize my lines, to recite a monologue. “Local theater became my background, my foundation. “It was amazing what I could do in my own backyard of 919 - few people that I meet have this same affinity for their hometown, and for what their state provides artistically,” says Hartwell. But, he says, all this success is rooted in the cultural opportunities he found in Raleigh. These days, Hartwell is at the peak of a successful Broadway career, having taken the stage in Hello, Dolly!, Memphis, Cinderella, and more, and is also running his own theater education business and working on a reality television show. Robert Hartwell remembers seeing his first musical, The Ice Wolf, at Raleigh Little Theatre in the early ‘90s, when he was 7 years old: “I thought, OMG, my entire life is changing - I want to do exactly what these people are doing.” Actor, dancer, and singer Robert Hartwell has success on and off the stage - and is bringing his talents to NC Theatre.īy Ayn-Monique Klahre Photograph by Danielle Cohen NJ weather was more like that of the piedmont of North and South Carolina at this time of year. Temperatures were similar to those normally seen in March and accumulating snowfall was meager in the north and non-existent further south. January 2023 was unlike most any first month of the year a New Jersey resident has experienced. Temperatures in the northern climate division averaged 36.0° (+4.7°, 7th mildest), southern 40.6° (+5.1°, 4th mildest), and coastal 41.1° (+5.1°, 3rd mildest). The average February maximum was 49.3°, which is 6.2° above normal and ranks 3rd mildest, while the average minimum of 28.5° was 3.9° above normal, ranking 7th mildest. Atlantic City Airport in Pomona (Atlantic) had 18 above and ten below normal, and Cape May (Cape May) reported 21 above and seven below. The same was true at both Sussex (Sussex) and Newark Airport (Union). Exemplifying the warmth, the New Brunswick (Middlesex County) Cooperative station experienced 23 days with above-average temperatures and just five below average. Five of the six mildest Februarys have occurred in the last 11 years. The statewide average temperature of 38.9° was 5.0° above the 1991–2020 normal and ranked as the 5th mildest February since 1895 (tied with 2012). First, focusing on February, milder-than-normal temperatures and limited snowfall were the rule, a short-lived frigid blast was followed by 70° warmth, and the most notable February tornado of at least the past 74 years touched down. Abnormal conditions were seemingly the norm cross the Garden State during the second month of 2023 and, for that matter, during much of the winter (December–February). I have some issues with the UI much like I did when we moved from Lync 2010 to Lync 2013 but I do believe the client will resonate with end users. I think the changes overall are a positive. Even running the client in Lync 2013 UI mode the sounds are still the new SfB sounds which might be unnerving for some users and result in unnecessary helpdesk calls. I understand the desire to make the new UI look and feel like the consumer version but changing the sound files may cause some administrative headaches. I would highly recommend that you take a backup of the Lync sounds and distribute them to your users. I’ve looked at the client more than once and didn’t even notice the presence of the user.Īnother change you can’t see in these pictures is that the default sounds have all changed from the Lync to Skype sounds. I’ll be honest this takes a bit of time to get used to. Third, the presence icons have changed to small round circles instead of the color bar next to the pictures. There is plenty of white space between the contacts that could be removed. Using the same resolution and window size we can see that we can’t fit as many people into the visible window. Second, the default view takes up much more space then the old client. First, we have moved to the over used picture in a circle look. There are some things that are immediately noticeable. Note that I’m using the EnableSkypeUI flag to flip between the UI’s so the build number of the clients are exactly the same. Here is a side-by-side comparison of the two clients. Pushing REG_BINARY can be a bit of a pain so hopefully the Lync Server 2013 updates will be released soon. What I don’t understand is why a REG_DWORD wasn’t used instead. Transferring images through the existing lync requires setting up a sort of tcp file transfer. You'd have to Listen to the conversation events and do the replace on the Conversation's MessageReceived events. However some people may not want to see a smily face vomit so you have the option to disable the animations. I never quite understood the rage but Microsoft has introduced the animated emoticons from the Skype Consumer client to the SfB Client. The EnableSkypeUI REG_BINARY can be set to either 01 00 00 00 (True) or 00 00 00 00 (False). You could definitely create a lync client using the lync SDK and replace certain placeholders like :mynewemoticon: with an image. One of the huge complaints of Lync 2013 was the emoticons. I didn’t want option 2, so I then tried option 1, and that actually worked, but only after specifying an Artifacts path in General Settings for the build configuration. Process exited with code 1 (Step: Publish NuGet (NuGet Publish)) Cannot prompt for input in non-interactive mode. Instead, I used NuGet Publish, but didn’t get authentication to work. Since I checked the Generate NuGet package on build checkbox, there is no need to run NuGet Pack. use the NuGet Pack build step with the Publish created packages to build artifacts checkbox.Ībout option 3: My package targets.nupkg files published as build artifacts in the project, enable Automatic NuGet Packages Indexing on the NuGet Feed page of the project settings to index packages published by selected build configurations only, add the NuGet packages indexer build feature to these build configurations.JetBrains calls this “package indexing” and mentions three different methods for that: Here are some practical notes from me trying to use that feature.Īfter enabling the feed, you would want a build that uploads to that feed. Documentation is available at Jetbrains’ Confluence documentation space. TeamCity can act as an internal NuGet server since version 2018.2. 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